Showing posts with label digital photography. Show all posts
Showing posts with label digital photography. Show all posts

Saturday, April 19, 2014

FIELD NOTES: PHOTO ASSISTED BEHAVIORAL ACCOUNTS ON THE BLUE AND YELLOW AND CHESTNUT FRONTED MACAWS

Photography: 
Chestnut Fronted Macaw: Blanca Allegra
Blue and Yellow Macaw: Leopoldo García
Texts: Leopoldo García


The leap that photography has made in the last 10 years, has been far more radical, than in the last hundred years. For naturalists, this has been god send, as it has allowed many us, to make the fussion of nature interpreting and nature photography easier, and now we can use this new tool to gather information in the field, and evaluate our work as we go. Without a doubt, Internet and the social networks have enable people to learn and share information, that was unthinkable 20 years ago. However, most of us, do not take advantage of this wealth of assets, that technology provides us to work on nature projects. This article will present you, how two photographers, that do not know eachother, met through internet and worked on our field observations to bring out the behavioral parallels of two species of macaws feeding on the fruits of the same tree over 400 miles away from eachother. 

© Blanca Allegro and Leopoldo García
TAKE YOUR TIME AND MAKE A PHOTOSTORY

Living on the fast lane can be good for certain things, however, when nature photography becomes an objective for story telling, I have learned that it pays to slow down. Long time exposure and observations makes the image hunter keen on the object of his picture taking. Blanca and I have been photographing wildlife for some time now, and in a Facebook Macaw forum, I saw her pictures of a Chestnut-fronted macaw (Ara severa) feeding on the fruit of a Possumwood or Jabillo tree (Hura crepitans). As it turns out, the Possumwood's sap is so venomous, that it was used by Carib Indians to poison their arrows and to paralyze fish in the water. So that knowledge inspired the need in me to document the event. As it turns out, the most accessible macaws I had were the big Blue and Yellow Macaws(Ara ararauna). They happened to be feeding on a possumwood tree, right across the street from my apartament building. So I was lucky to know when they visited the tiny park and its fruiting trees.

© Leopoldo García-Berrizbeitia
Macaws constantly patrol their territories to survey their food, water, and refuge resourses. I am conviced that they create a visual and seasonal map in their brains that enable them to survive within their home range. Once they find a fruiting tree, they will fly down and explore its canopy assessing the conditions of the fruits. They will feed on ripe or unripe fruits. How do they determine this scapes me. However, when it comes to the Possumwood, the unripe fruit is softer than the drier ripe fruit that hardens to a wood like form as it ripes.

© Blanca Allegra / © Leopoldo García Berrizbeitia

As you see in the picture above, the Chestnut-fronted is  smaller than the Blue and Yellow, where the former is 20" and the later 33". This will make their handling of the different in some ways.

Blanca claims that the Chesnut-fronted fly down the canopy, search for the fruit, cut the off their  stalk and then they move out of sight to the inner canopy to feed.

© Blanca Allegra
© Blanca Allegra
As the fruit is about to be severed from the stalk, the macaw grabs the fruit with one of its claws and keeps on gnawing until the fruit is finally cut off the branch.

© Blanca Allegra
Then, it proceeds to take the stalk off and to peel  the central para of the fruit to reach the seeds.

© Blanca Allegra
Once, it has reach the seeds, its starts to feed.

© Blanca Allegra
If you look at the tail of the Chestnut-fronted Macaw, you will see that the end of its tail feathers are a bit damaged, this is because they use their tail for support while they are handling the fruits.

© Blanca Allegra
The Blue and yellow lands on the canopy as well, it searches for the fruits, but once it finds them, they may clean the main branch by chopping off the twigs that hamper their maneuvers. 

© Leopoldo García-Berrizbeitia

Then they proceed to clean off the peel and meat of the fruit so they can reach the chambers that encase the seeds.

© Leopoldo García-Berrizbeitia

They use their claws and beaks to amnipulate and open the fruits. The upper part of the beak holds the fruit as the bottom part clears the peel and pulp off.

© Leopoldo García-Berrizbeitia

© Leopoldo García-Berrizbeitia
Once most of the pulp is off, the macaw will break the fruit in pieces, and with surgical skills starts to work chamber by chamber to get at the seeds.

© Leopoldo García-Berrizbeitia
Once the seed is reached, the skill by which the macaws use their tongue and bill in concert to manipulate it into place.

© Leopoldo García-Berrizbeitia

Then, they break the soft seed in half, and eat the inner part. Now that is a lot of work to get food, but macaws and parrots will eat the seeds of this trees at different times of the fruiting season.

© Leopoldo García-Berrizbeitia
Why do macaws go to such extreme labour to feed of a poisonous plant is a good question. Another question will be, how different species of macaws chose to feed on the same food source. These and many other questions remain to be documented, however, the important thing is... that as photonaturalist, we learn to make some time for the observation of our objects and their surroundings as all the information that we gather could be priceless towards learning the natural history of the things we are photographing.

Happy image hunting...

Leopoldo "Leo" Garcia-Berrizbeitia
Photonaturalist


PATROCINANTES Y SERVICIOS






SOLO PARA VENEZUELA: Fotopaseos y Visitas de Interpretacion de la Naturaleza llamar / For Photowalks and Natural History Workshops call:
Leopoldo García Berrizbeitia
212-624-9019 
414-246-2007
Escribir a: leogarber@gmail.com


Friday, January 4, 2013

IPHONETOGRAPHY: CAMERA-PHONES AND THE PHOTOGRAPHERS

INTRODUCTION

Becoming an advocate for cameraphones is quite easy, as the only way for photographers to get better at their craft, is by making picturers. There is no way to master anything without work, and the way imaing and telecommunications technology are going, the merger between digital tablets, celphones and digital cameras, along with their respectivel applications, has reach a point that, all in one hybrids, will be common place in less than 5 years. Therefore, it makes perfect sense to own a cameraphone to take pictures and share them, as you go, with the rest of the world.


I've just recieved an IPhone 4S as a gift. At first, I was a bit threatened by this new devise as it has a great number of applications to make your life more organized, and it could make a well organized mess out of my work order. As it turns out, it syncronizes with Apple computers and places everything in a CLOUD, so both devices can work together and share files over the Internet. It could be god sent, but I was not prepared for this, and lo and behold, the Iphone and the MacBook did this on their own without me been concious about it. Furthermore, the learning curve of a cameraphone can be steep, as the apps recomended by friends and internet forums are mind boggling. And you have to be under 25 to make the best out of the cameraphone's full potetial ;-) Thus, I desided to do as most people do, be wise, and learn as we go.  

Now, just how important are cameraphones in digital photography, well, they are so important, that the compact camera sales went down 33% in 2011 and 36% in 2012 because of cameraphones. Why? because buyers drifted from compact cameras to cameraphones, as the latter,  get  their users a lot more for the money.

The presence of photo related internet sites like Picasa, Flickr, Facebook, G+, Instagram, and many others have added new objectives for picture taking. But just how much digital picture taking has changed the behaviour of digital camera users. Well, look at the stats: There are 6 billion photos uploaded to internet each day (Sourse: Google search). Facebook, which is not a photography site, has the following stats:  3,000 pictures are uploaded per second or 250 million per day. Then, they store the images in 4 sizes totalling 100,000,000 GB of image storage in a single day! Now, if cameraphones are the hotest idem in gadgetland they are responsible for part of this inmense volume of picture taking. So if one is to face the facts as they are,  I am sure, I better learn to use my cameraphone as well as I can.


Who is using cameraphones? I dare say, that most every one, and this will change photography as we know it. I have seen young children documenting their school outings with their cameraphones. Why, because they are documenting their field trip, so they can make their SHOW AND TELL project presentations on computers. So, by the time they reach college level education, cameraphones will be second nature for them, and the future devices will make the desktops and laptops things of the past.

FIELDWORKING WITH A CAMERAPHONE:

My self imposed IPhone challenge was to go to my work place, at Jardines Ecológicos Topotepuy Botanical Gardens and put the device to work. Sure, I took my 20 Lbs of camera gear as well, one would not want to loose a photo opportunity because of a camera phone! However, I could have left it home!!!

IPHONETOGRAPHIC SAFARI

Nature photograpy is very popular and working in natural surroundings places special demands on the photographer to get his job done. The proper care for the gear is very importan no matter what the conditions may be. So reducing risk is quite a relief and a small cameraphone is easy to deal with. Since internet demand images in low resolution, cameraphones can go a long way for publications like web pages, ezines, forums and blogs. They are limited as far as the things they can do, but they have enough capabilities to cover a great deal of subject matter successfully as this publication readily shows.


Therefore, if you are in a family outing, the pressure for impecable image quality is not as demanding as printed media. So carrying an 8MP cameraphone in my fannypack, did not face me as much, as my photo backpack did. The field test was in a cloud forest where one can expect fog, rain, or high humidity. Well, the Iphone was inside two plastic bags that kept it dry all day. So one may keep a cameraphone with you all the time, and unexpected events can be documented in an instant, and this is a clear advantage over bulky gear. 

A good example about spontaneous nature photography is the blooming of this Walking Iris. This plant is an explosive bloomer, as most of the plants have a peak in blooming at the same time. If you happen to be in the area when this happens, you will get the shots, however, if you do not have a camera with you all the time, you will be out of luck. The cameraphone can help in many ways, the obvious one, by taking the picture as he action occurs. But if you are following the growing season of a cloud forest or a garden, you could record the flower buds' maturity and prepare yourself for the event, so you can record it with a DSLR. The metadata of the photos will have valuable information on the subject and for a nature photographer, and his botanical garden client, having a blooming calendar of their plants can be very important.


How many of you have been told, wow, that camera really takes good pictures...
Well, in Venezuela we reply... its not the bow and arrows ITS THE INDIAN! If the cameraphone user has experience, the tool will enable him/her to accomplish great photos. I wanted to see how well the cameraphone worked to record the petal arrangement of the iris, well its DOF, was quite decent. The white petals, and the dark background were not right on the money, as white balance in a bright/shaded situation is hard to handle, however, to most people, the iris flower will be regarded as a beautiful image. For the nature photographer, it was great to have the picture to show in the blog, and a metadata that pinpointed the exact date of the iris blooming was great information for the park´s flowering plants calendar.


To be honest, I am very happy with the colors, depth of field and resolution of the pictures. Specially, when they came form a cameraphone costing a lot less than some mid-range digital single lens reflex camera gear.


As for the bromeliad series the Iphone worked equally well. The tonal range of the pictures and the color saturation are very pleasing.




At the time I was taking this pictures, I did not know that the Iphone camera could zoom in and out, so I did not make any extreme close ups. However, there are lenses from third party makers that can be adapted to do macro, wide angle and even fish eye photos.


I had never seen a bromeliad grow on top of another bromeliad, however here it was! now I will keep an eye on this occurrense and keep on documenting the issue over time.



The picture of a white object in the shade is a challenge for any photographer. Keeping the details of the background without blowing up the whites or working the whites without loosing details in the shadows is a toss up. As one cannot compensate brightness and shade with an automatic camera of any kind, I focused on the middle orchid and the cameraphone did the rest. The flowers retained their brightness and shadows with very little loss in the details. So I was happy with the outcome.


Getting close and working with perspective with the Iphone camera worked well.


Here the trick was placing the cameraphone horizontally with its left side of the screen close to the flower and the right side towards the fern. The result was very good as well.


MAKING AN 8MP CAMERA RENDER MULTIPLES OF 8MP PICTURES

The Iphone's camera has an 8 MP sensor and that prompted me to try a technique where one takes several images of the same object to make a panorama or a high resolution mosaic. To get the proper results, one has to set the camera in manual. The  exposure has to be the same for all the pictures you take, so when the stiching is done, there will not be extreme jumps between the light and shadows of the final photograph.


Well, cameraphones do not have manual mode YET, so, as you see from the pictures above, if your composition ranges from the extremes, you will not be able to make the mosaic. However, with practice, you can choose subjects that are in the same light range, and get away with a photo with a higher pixel count. I chose the last two of the strip, and you can see the result below.


In conclusion, I am very happy with my cameraphone and if you know its limitations and capabilities you will be as happy as anyone who own one of this devices. I love to hear from you and I need to have a greater number of followers so Google and my patrons keep on helping me with the productions, so please  subscribe to the blog and help me bring you more Digital Camera Adventures to the net.

If you want to learn how to do this, I prepared a Photoshop tutorial to show you how is done. 




TUTORIAL 

As I told you before, once you learn techniques with your DSLR, some of them can be used to help you with your cameraphone. One of them is stitching photos together to make a Panorama or a high resolution mosaic. The IPhone as many other camera phones have panorama capabilities pre-installed in them. However, if your cameraphone does not have this function, you can do it yourself.


The most important issue here is the fact, that cameraphones do not have a Manual Mode "M" YET. I am sure that, as I am writing this, somewhere out there, there is someone or a group of people working on an application that will do that and more. Or there are apps out there that do this already, and I do not know about. However, the DSLR knowhow is very helpful, as is, the knowledge on Photoshop to stitch several cameraphone pictures together. 

The strip of photos above are numbered 1 through 3. In photo number 1, the cameraphone meter was tricked into exposing for the bright sky and the EXIF data shows f/2.8 at 1/500th and ISO 50, thus rendering the canopy of the forest useless. In picture 2 the sensor reading was f/2.4 at 1/60th of a second at ISO   50 and in number 3 the reading was f/2.4 at 1/40th of a second at ISO 64. Pictures number 2 and 3 come very close and by using Camera Raw with your jpeg images in Photoshop, you can make them look even closer. Once you are finished and hav saved the pictures, you can use the TOOLS menu in Bridge to stitch them together.


First select the pictures you want to stitch together.


Go to the Tools menu and open the Photoshop Tools menu an select
Photomerge


Once you have selected Photomerge a window opens. On its left side you will find the layout choices, I often get the best results by selecting the Auto options for lanscape pictures stiching and cilindrical for portraid image stitching. Make sure you select Vignete Removal to avoid dark edges in your stiched photo.

Once that is done Photoshop will render an image as two layers
bonded together. Look at the lower right.


I use tha Flatten Layer option to make a single image, you can do this from the Layers drop down menu.


Once that is done, you can cropp the image as you desire.


Then, I resize for the Internet by going to the Image dropdown menu
and selecting Image Size


In this picture you will see that the new image's size is 30.4 MB!
With a pixel dimension that exeeds 3,000 in with and lenght. So one needs to downsize the image for Internet use. I place the resolution at 72 DPI and the longest side WIDTH/LENGTH between 1100 and 1500 for most of my pictures on internet. And now you are ready to save your panorama for future work.

Well, I hope you enjoyed this new cameraphone adventure. Make sure that you learn the photo apps available for your cameraphone, and just go out there and click away. 

See you soon

Leopoldo "Leo" García


This article was sponsored by Jardines Ecológicos Topotepuy a private botanical garden and nature reserve located south of Caracas, Venezuela. For those who like to visit this beautiful urban oasis  or to learn about their programs and services look at their web page at www.topotepuy.com or call them at: 0058-212-963-1242. They cater to individuals, family groups, schools, corporations, diplomatic services and even cruise ships. How do I know this...I WORK THERE!




If you like nature photography NATLEO FOTOPASEOS has several workshops for all digital cameras and levels of expertise. They include: LEARNING TO SEE NATURAL LIGHT, THE ART OF COMPOSING FOR NATURE PHOTOGRAPHY, CAMERAPHONES NATURE PHOTOGRAPHY, PHOTOGRAPHING HUMMING BIRDS, PHOTOGRAPHING FLOWERS AND BUTERFLIES AND TELLING STORIES WITH PHOTOS, MAKING CHILDREN NATURE PHOTOGRAPHERS, AND PORTRAITS IN NATURE AND NATURAL LIGHT. 


Coordinates

Email: leogarber@gmail.com
Work Phone: 0058-212-624-9019
Movile: 0058-414-246-2007
Tweeter: @leogarber
Facebook: Digital Camera Adventures

As we live in a Global Village, if any tour operator wishes to contract my services I can lead, nature interpreting, birdwatching, photo safaris and nature eductation workshops for you. I have worked in Venezuela, Galapagos, Panama and Costa Rica as Tropical Ecology has been my subject of work and expertise for three decades.









Tuesday, January 1, 2013

IPHONTOGRAFÍA: PRIMERAS IMPRESIONES SOBRE LAS CÁMARAS TELEFONICAS

IPhontopaseo:

Bueno, este va a ser el año de la ruptura de paradigmas y el advenimiento de las CÁMARAS-TELEFÓNICAS como opción fotográfica se va a consolidar con la integración de aplicaciones para los sistemas operativos IOS, Android, Windows Mobile, y el nuevo chico del barrio que Samsung está apoyando con desarrollistas pro Linux. Haciendole honor a mis mentores, sigo probando al IPhone y algunas de sus aplicaciones fotográficas. Mis mentores tenían razón en que me iva a convertir al formato muy rápido y la verdad es, que una vez nos despojamos del mito que mintras más grande la cámara mejor es la foto, disfrutar de una cámar que puedes guardar en tu bolsillo es maravilloso. Es mi opinión muy personal, que para un amante de la fotografía, no hay como estar capasitado para hacer click cuando algo nos llame la atención. 


Pero ¿Como funcionan las cámaras-telefonicas en la naturaleza? De igual manera que en las zonas urbanas.

UTILIZANDO TÉCNICAS DE REFLEX CON EL IPHONE


Mi cámara-teléfonica tiene un sensor 8 MP para hacer fotos y 2 MP para hacer video conferencias. Sin embargo, la foto de arriba fue de 16 MP!!! Como se logra eso... 


Aquí les doy la clave y al final del artículo les tengo un tutorial

Las cámaras-teléfonicas tienen ciertas limitaciones tecnológicas, que no le permiten hacer fotografías de muchos megapixeles, pero creo, que es cuestión de tiempo y de mercado, para que todo esto cambie. Además, la habilidad de los programadores, ya nos permite utilizar software, perdón APPS o aplicaciones, para hacer milagros con las fotos tomadas con nuestras cámaras telefónicas. Y debo confesar, que apenas me estoy familiarizando con las herramientas de este nuevo campo fotográfico. 

Ahora, veamos al IPhone en acción. La panorámica del claro de bosque que ven arriba, la realicé con una técnica que se consolidó para cámaras con un "MODO" de funcionamiento en manual, representado por la letra M en la mayoría de las cámaras avanzadas o profesionales. Veamos de que se trata. Para realizar mosaicos de alta resolución (muchas fotos de un mismo lugar) al trabajar con cámaras reflex, hay que hacerlo todo en manual. Esto es muy importante  para obtener un valor de exposición adecuado que nos permita una fotografía final, donde la luz, sus áreas brillantes, las sombras y los tonos medios sean iguales en cada foto que formará parte del mosaico. 

Mi método es medir las sombras y los lugares más iluminados y busco un valor de exposición promedio, que permita consolidar la imagen en Photoshop o con el programa de STICHING de su preferencia. ¿Como logramos esto, con una cámara telefónica que no tiene modo manual? Si estan arrancando como yo, busquen espacios u objetivos que tengan luz uniforme y después hagan tantas fotos puedan para lograr su objetivo. Recuerden que los resultados los van a ver después de procesar sus fotografías en la computadora/ordenador. Y si ya tienen las aplicaciones existentes para hacerlo desde sus tabletas o cámatas telefónicas mejor.


Veamos como el sensor de la cámara-telefónica funciona. En la foto 1, al dirigir el lente hacia la copa de los árboles, el sensor y el programa interno de la cámara realizan un balance entre los claros y los oscuros, y en este caso, compensaron por el lugar con mayor luz. Por eso los tonos medios y las sombras perdieron mucha información (detalle). La verdad es que se hace muy dificil compensar la luz en automático para lograr la panorámica de alta resolución. Sin embargo, las fotos 2 y 3 si estaban muy cerca del Valor de Exposición requerido, y con solo apuntar el lente, un poquito más abajo, logramos dos fotos, que al sumarse nos darían una foto de varios megabites mayores a una sola foto. De esta manera logramos que el producto final de las fotos realizadas con la cámara-telefónica, fueran más grandes. Aquí, el IPhone empezó a ganar puntos conmigo.

Les voy a incluir un tutorial en Photoshop para que vean los pasos necesarios para lograr la panorámica de arriba, al final de esta entrega.

DOCUMENTANDO MOMENTOS ESPECIALES


Durante una visita a Jardines Ecológicos Topotepuy, jardín botánico privado ubicado al sur de la ciudad de Caracas, me dedique hacer Iphontografías al paisaje y a las plantas de sus respectivas exposiciones.


Estas dos tomas a la flor de un Iris Caminante (Neomarica northiana)  fueron tomadas en forma cenital y frontal para documentar una flor que solo dura dos días sobre las plantas. Si mañana quicieramos repetir la foto, no podríamos, porque ya se habrían secado. La calidad de las fotos es suficiente para publicarlas en línea y tener una cámara-telefónica en el bolsillo es la una de las maneras más prácticas para hacerlo. Así, que para fines de documetación de eventos de cualquier índole disponer de una cámara en nuestros bolsillos es una gran ventaja.


Jardines Ecológicos Topotepuy es conocido por mantener una bella colección de bromelias y orquídeas muy fáciles de fotografiar.Sin embargo, cuando vas a pasear con unos amigos para pasar el rato, que bueno es dejar atrás 10 kilos de equipo y cuando se nos presente la oportunidad, sacar nuestra cámara-telefónica y hacer clik para captar imágenes que nos sirvan para contarles sobre este bello paseo.


Hacer composiciones artísticas o que sirvan para expresar de manera estética lo que vemos, se logra muy bien con una cámara telefónica, sin importar la marca que sea.


En la actualidad, muchas cámaras telefónicas disponen de sensores que captan muy bien los colores y los detalles de las imágenes que se realicen dentro de un rango de luz "normal". 


Actualmente, muchas de las bromelias y orquídeas exihibidas en Topotepuy están en flor, proporcionando a sus visitantes la oportunidad de sacarle el mayor provecho posible a sus cámaras telefónicas. 



Conocer nuestros objetivos a fotografiar nos permite documentar eventos especiales. La bromelia en forma de cisterna de la fotografía inferior le está funcionando como soporte a otra bromelia que germinó sobre su hoja.


Si hubiera olvidado mi equipo fotográfico en casa no tendría el registro, pero ahora lo comparto con ustedes y cuando vuelva con mi DSLR y mi lente macro, le dedicaré el tiempo adecuado a este evento de la naturaleza para realizar un registro que pueda ser publicado en cualquier medio.


LA CÁMARA TELEFÓNICA Y LOS ALTOS CONTRASTES

Blanco sobre fondo oscuro. Estas situaciones son difíciles de trabajar y sin duda alguna, la ocación para realizar un trabajo en HDR está más que justificada, sobretodo, cuando disponemos de los medios para hacerlo. Pero la foto fue realizada con el Iphone sin HDR. Y se procesó en Photoshop para lograr balancear los brillos, sombras y tonos medios de la imagen.

LA FOTOGRAFÍA DE CLOSEUPS O DE ACERCAMIENTO


Acercarse en diferentes ángulos no es fácil con cámaras reflex, su tamaño se puede convertir en un obstáculo par hacer fotografías de sitios muy cerrados. Pero jugando con el IPhone, me percaté, que si lo ponen en diagonal utilizando la norma de los tercios, se logran muy buenos objetivos. La profundidad de campo funciona muy bien en esta herramienta de fotocomunicaciones y mientras más la usen, más se divertirán con ella.


Esta de más decirles, que si la fotografía con nuestras cámaras-telefónicas no nos divierte o apasiona, pués, seremos los felices propietarios de TELÉFONOS INTELIGENTES CON CÁMARA, y eso también es aceptable, pero para los que las tenemos en el bolsillo las oportunidades de hacer fotografía son incalculables.

TUTORIAL PARA AUMENTAR EL TAMAÑO DE LAS IMÁGENES DE LAS CÁMARAS TELEFÓNICAS

¿Como llegamos a 16 MP con una camara de 8 MP? Sumando 8+8. La técnica de crear un mosaico de alta resolución que se usa para hacer Panorámicas es la misma que podemos aplicar cuando usamos nuestras cámaras telefónicas.



Una vez hayamos exportado los archivos desde la meoria de la cámara al disco duro de la computadora, hay que procesar las imágenes en Camera Raw. Se recomienda sincronizar las imágenes que se van a usar, con el fin de que todas mantengan las mísmas especificaciones para realizar el Photomerge.



Tal y como les anticipé en el artículo, de las tres imágenes que realice para este photomerge, una no sirvió, así que se escogieron las dos restantes.



Luego en el menú de Adobe Bridge se seleccionan Tools-Photoshop-Photomerge y se marcan los correctores Blend Images Together+Vignette Removal+Geometric Distortion Correction y se pulsa OK.



Esta acción junta las capas de las fotografías individuales en una sola imagen (8+8=16) y para seguir trabajando para la publicación en internet se procede a juntar las capas con Flatten Image.



Como la imagen tiene un tamaño que resulta muy garnde para Internet, se recomienda bajar la escala de tamaño y resolución a la adecuada para que se baje rápido de la red. Para esto van al menú Imagen-Image Size.

Allí cambian el tamaño original dándole al lado más largo un tamaño entre los 1100 y 1500 pixeles a 72 DPIs de resolución que cubre la resolución de la mayoría de los monitores que se utilizahoy día para las publicaciones en internet. La mayoría de las publicaciones este blog se realizan dentro de estos parámetros.


Para enseñarles el antes y el después ya habia montado las tres imágenes en una imagen prediseñada con fondo blanco y se le hizo el ajuste adecuado para la publicación. Que terminó como la imagen que vieron al principio del artículo.


Este tipo de destrezas se van adquiriendo con la práctica y aprendiendo a pensar en digital nos permitirá anticiparnos al flujo de trabajo, que es el laboratorio digital para sacarle el mayor provecho a nuestros equipos.

Hoy día, existe un sin fin de programas que nos permiten realizar la manipulacion de nuestras imágenes atravesando fronteras que superan nuestra imaginación. Así que cada vez que utilicemos nuestras cámaras-telefónicas, debemos pensar, que solo estaremos limitados por nuestros conocimientos sobre el tema de la fotografía digital. Así que tener en nuestros bolsillos una cámara telefónica es una ventaja para ayudarnos a ser mejores fotógrafos.

PLANES PARA EL 2013

Muy pronto tendré prácticas, talleres, cursos y paseos fotográficos para todas las personas entusiastas de la fotografía digital y la fotografía de la naturaleza. Las actividades estarán dirigidas a todo el que tenga un cámara digital en cualquiera de sus verciones. Todos podrán participar con sus cámaras-telefónicas, tabletas, cámaras compactas y reflex, de hecho, cuando voy a dictar una práctica fotográfica siempre le recomiendo a los que me llaman traerse todos sus equipos, para ponerlos en uso durante la actividad.

Abrán cursos, talleres y prácticas fotográficas a la disposición de: Grupos de amigos, escuelas de fotografía, universidades, colegios, empresas de turismo, posadas, campamentos, hoteles y a todos los que quieran darle un rato diferente a sus empeados o clientes.

No dejen de llamar a Jardines Ecológicos Topotepuy para obtener su calendario de actividades donde la institución organiza visitas guiadas y actividades como Los Domingos Familiares para el público general y además tambien realiza actividades como eventos privados, exposiciones, visitas de colegios y universidades y algo muy innovador ayudan a organizaciones eco-culturales a promoverse y presentar sus servicios en sus instalaciones.

Contactos:

PAGINA WEB: www.topotepuy.com
Facebook: Jardines Ecológicos Topotepuy
Teléfonos Oficina: 
212-963-1242 / 212-961-6770 / 212-935-7755
Correo Electrónico/Email: info@topotepuy.com

Todas las fotos de este artículo fueron realizadas en Jardines Ecológicos Topotepuy quienes patrocinan este segmento.



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NATLEO-FOTOPASEOS



Escríbanme una nota en comentarios o mándenme un correo electrónico a leogarber@gmail.com. o comuníquense por el 414-246-2007 o por NatLeo Fotopaseos 212-624-9019 para conversar sobre los diferentes programas.